Ambiorn Happy, Kulturnyt.net
22. march 2025.
Time to say goodbye. Andreas Constantinou is in a coffin, with his parents' funerals adjacent on video screens. The father on his right, the mother on his left, his own coffin in the middle. The next one to enter the universe of death. 'Shroud' is a public performance of the privacy of grief and death, a masterful work of art, deserving a six-star rating. Thank you.

Photo: Christoffer Brekne
Now, there is nothing more to say about the performance 'Shroud'. Great art does that to us, leaves us silent with moist eyes. Completely engulfed in our own inner worlds of life and death. Everybody in the audience cries from the beauty of the scene, crafted by Jeppe Cohrt and Christoffer Brekne lighting design. Our eyes and hearts are allured by the long swiveling, rotating curtains surrounding Andreas Constantinou in his enormous shroud. An immense video face on the floor, Andreas talks about the death of his mother. Her dying. That’s never easy. To die, knowingly. To let go of the handgrip of life, while your son holds your hands. Entangled in grief and his nascent sense of death - both the incoming and the one alive - the performance 'Shroud' takes the audience to the land of the not-living. I’ve never seen anything like this, with the soundscape created by Johannes Smed hammering into my bones. The enormous shroud seems to be a living organ with multiple faces and personalities inside. I think Andreas Constantinou is only one, but at times there seem to be three or more not-living persons in the shroud. The material of the shroud makes patterns of light and shade, so that I see dozens of faces in it. Like grief. Faces projected onto the inner curtains of the mind. Terrible scenes of longing, transformation, sadness. The loss of body, but the reminder of expression and personality. Still, I will stay silent - holding my stance in the waves of the audience’s hands showing their gratitude and admiration with the sound of living people clapping. Curtain fall has arrived. In the dark, we walk through the city, talking about death and life. I thank you for a profound experience at Bora Bora in Aarhus. It’s good to be alive. ShroudShe Let Go of the Handgrip of Life
The Enormous Shroud Seems to Be Alive
And Then, Suddenly, Curtain Fall
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